HomeNews
Utopias pictures an optimistic future via nine acidic dreamscapesDreams of a better tomorrow
Dreams of a better tomorrow
Utopias is the work of Berlin / Moscow arts collective AAA Software. Each of the game(?)’s nine worlds is a self-described personal utopia - a collaborative work designed to explore each member’s individual vision for a utopian game-space.
Watch on YouTube
Watch on YouTube
They’re bloody bizarre spaces, too, with even that short glimpse in the trailer flashing through fluid pools; the launch bay for definitely-not-a-Gundam, a stock third-person Unity character controller sprinting through colours and noise, and a cryptic android that could’ve stepped out of the box art for any graphics card released pre-2010. Its store page sports some great features, from “free a bird” and “shoot bio-bullets to spawn life” to simply “die”. Neat!
“Something that we keep coming back to as a collective is an attraction to weirdness, a poetic kind of not-making-sense. What happens if you take away the traditional narrative scaffolding? How do you respond to the discomfort, confusion, and frustration that arises from travelling without coordinates, when you don’t really know where your next step will lead you? How does it feel to be lost? To be unproductive? To be unusable?”
But then, it seems neither do AAA, who saw their own definitions shift over the course of development. If the works aren’t radical enough, then perhaps the means in which they came to be can fill in the gaps.
“We are uncertain if we can achieve our utopian ideals and we have come to embrace that. During the long development time of the project, we became aware that “utopia” was not necessarily a place or an idea we could attain but rather a process of trying to navigate the territory that lies between us and change.
“This very much describes the practical process of learning to organize a collective. Utopias is a viewport into this process.”
Utopias: Navigating Without Coordinates is available for free / pay-what-you-want over onItch.io.
