HomeReviewsThe Dark Pictures Anthology: Little Hope
Little Hope reviewWitch do you prefer?
Witch do you prefer?
Little Hopeis the second game inThe Dark PicturesAnthology, a series of interactive horror games trying to build on the popularity of 2015’sUntil Dawn. In it, you play as a college field trip group (three teenage students, one mature, and a professor, and I bet some of you already havethatin your search history). After a mysterious bus crash, the group tentatively makes its way through Little Hope, now a deserted ghost town, and encounter monsters and visions from the town’s past.
That past involves violent witch trials of a Salem-y nature, and more recent economic devastation. Your control switches between all of the characters, and through a mix of split-second decisions, exploration of creepy ruins, and quick time events as you run from monsters, the group will either die horrible deaths or survive until morning for the revelatory plot twist. And while Little Hope is better than last year’sMan Of Medan, I wouldn’t say it reaches the heights of being actually good.
Watch on YouTube
Watch on YouTube
Early on, Little Hope does pretty well at showing not telling. The tension ramps up slowly, as the team make their way into the town proper, and creepy tropes start coming into play. There is fog that prevents them leaving town, a dude drinking alone in a run-down bar who gives cryptic responses to everything you say, and a small ghost girl making terrifying corn dolls. The audience is treated to glimpses of the creepy monsters that will later come to terrorise us, while the characters stay oblivious.
About half way through, though, it starts to feel like a producer crashed in and told the team that they were suddenly only allowed two hours more game. “But Bobert,” someone yells in alarm, “we have, like, at least four hours worth of stuff to fit in!”. And Bobert was like “tough shit” and smashed a flip chart over that dude’s head.
Events start to take on a familiar rhythm, such that you know when to expect scares and stop reacting to them. It’s a shame, because the monsters themselves are decently scary, especially the way they’re introduced with lots of tight close ups of the particular ways their bodies are broken or otherwise horrific.
It’s much more effective than big reveals of their whole look. One, a man who was crushed to death with the execution method known as crushing, is particularly unsettling. Alas, the quick time events, where you have to press the right button or hit the right body part as events drip into super slow-mo, often reveal too much of the scene for the monsters to stay scary.
Little Hope is also rendered more funny than frightening because of how your choices affect the story and characters. At key points you’re given the option to save one character over another or, in dialogue, go with your head or your heart. It changes how the characters feel about each other, as well as leaning them towards different personality traits. Shaken all together, it tells the game which events and bits of dialogue to pull out of its deck of possibilities. The issue is that this often results in hilarious, broken-feeling bits.
Large chunks of dialogue have to work no matter what choices the player has taken, which results in all the characters sounding curiously anaemic and unbothered about the terrifying events they’re caught up in. They also don’t call each other out on obvious hypocrisy, like John telling Andrew he feels responsible for them all mere moments before hoofing it away from a monster without warning anyone else.
Look, it’s certainly very possible to spend an enjoyable evening playing Little Hope. But you have to calibrate your expectations towards B-movie, janky schlock-fest. If you go in wanting to have a spooky time that actually freaks your nut, I fear you’ll be disappointed.
